ANALYSING MUSIC MEDIA

SHE Level 3
SCQF Credit Points 20.00
ECTS Credit Points 10.00
Module Code M3P322859
Module Leader Iain Muego
School Glasgow School for Business and Society
Subject Media and Journalism
Trimester
  • B (January start)

Summary of Content

The aim of this module is to enable the student to develop knowledge and skills to critically analyse music media texts and culture. Students will become familiar with a range of concepts such as philosophical and psychological approaches to understanding music, sub-cultural identities, gender and performance in music, as well as the work of specific theorists such as Barthes, Benjamin, Small and Adorno.

Syllabus

This module will cover a selection of key themes in the analysis of music and music cultures, such as: -360b7 Historical context of music b7 Music and Film b7 Philosophy b7 Psychology b7 Gender Representation b7 Identities and Subcultures b7 Aura and Authenticity b7 Practices of Music Performance

Learning Outcomes

On successful completion of this module, the student should be able to:" Demonstrate a broad knowledge of the historical and cultural contexts of music media." Critically evaluate and convey a range of academic approaches to music culture." Analyse music use and effect in a range of music media texts.

Teaching / Learning Strategy

-360b7 Lectures b7 Student Led Seminars b7 Screenings b7 Tutorials for specific assignments GSBS will continue to use the advancement of GCU Learn as a blended learning tool through its teaching and learning as well as through engagement with students. GSBS will ensure that all modules are GCU Learn enabled and with the support of the Learning Technologists at the cutting edge of development of online materials. Academic staff and the Learning Technologists will continue to work together to develop and operate all modules on GCULearn to ensure student support and information sharing. Students are provided with formative and summative feedback via a variety of mechanisms. Feedback on coursework is provided within 3 working weeks of submission.

Indicative Reading

-567 Books and articles: Bowman, Wayne D. 1988. Philosophical Perspectives on Music. Oxford: Oxford University Press DeNora, Tia. 2000. Music in Everyday Life , Cambridge: Cambridge University Press Donnelly, Kevin, ed. 2001. Film Music: Critical Approaches . Edinburgh: Edinburgh University Press Frith, Simon. 1996. Performing Rites: On the value of Popular Music . Oxford, OUP 1996 Hosken, D. 2010. An Introduction to Music Technology. UK: Taylor and Francis Larsen, P. 2007. Film Music. UK: Reaktion Books MacDonald, Raymond, Hargreaves, David; & Miell, Dorothy. 2002. Musical Identities . Oxford: Oxford University Press Middleton, Richard, ed., 2000. Reading Pop: Approaches to textual Analysis in Pop Music . Oxford: Oxford University Press Machin, D. 2010. Analysing Popular Music: Image, Sound and Text. UK: Sage Popular Music . Cambridge University Press, Cambridge. 1982-current Post, J. 2008/2013. Ethnomusicology: A Reader. UK: Routledge Wall, Tim. 2013. Studying Popular Music Culture . UK: Sage, 2 nd ed Whiteley, Sheila. 2013. Sexing the Groove: Popular Music and Gender . London: Routledge, 2 nd ed Journals: Popular Music

Transferrable Skills

By the end of this module students will have gained competence in the following key areas: self-discipline self confidence awareness of strengths and weaknesses creativity ability to reflect reliability time management interpersonal skills presentational skills ability to work in teams and leadership skills flexibility innovation

Module Structure

Activity Total Hours
Independent Learning (FT) 144.00
Assessment (FT) 20.00
Lectures (FT) 24.00
Seminars (FT) 12.00

Assessment Methods

Component Duration Weighting Threshold Description
Coursework 2 n/a 20.00 35% Annotated Bibliography, 1000 words, wk 8
Coursework 3 n/a 40.00 35% Essay, 2000 words, wk 12
Coursework 1 n/a 40.00 35% Seminar Presentation - student led, 45' incl discussion wk 3-12